5 Storytelling Traps That Kill Your Likability

VVinh Giang
마케팅/광고경영/리더십자격증/평생교육정신 건강

Transcript

00:00:00You don't need to be a great communicator
00:00:02to be a great storyteller.
00:00:03But if you want to be a great storyteller,
00:00:05then you need to avoid these five traps
00:00:08that 99% of people fall into without even realizing.
00:00:11What I'm sharing with you today,
00:00:13I've tested in one-on-one situations
00:00:15to audiences of up to 30,000 people.
00:00:18And after a decade of coaching thousands of people
00:00:21on communication, I keep seeing the same five mistakes
00:00:24repeated over and over and over again.
00:00:26Mistakes that make you unlikable, forgettable,
00:00:29and worst of all, invisible.
00:00:31And once you stop doing them,
00:00:32start to watch how differently people respond to you.
00:00:35Trap number one, audience blindness.
00:00:38This is when you get so caught up in telling the story
00:00:40that you don't even realize the audience
00:00:42have completely checked out
00:00:43and they're not listening anymore.
00:00:45We all have that one friend
00:00:47where every time they share a story, you sigh out loud
00:00:51because they take you on all these tangents
00:00:53that don't even matter to the point of the story.
00:00:56This is the most common way the audience blindness shows up.
00:01:00You drown the listener in way too much irrelevant context
00:01:03causing them to feel confused, overwhelmed.
00:01:06And as a result, they stop listening to you.
00:01:08But there are two more ways audience blindness shows up.
00:01:11See if you can spot them in this next interaction.
00:01:14So anyway, I'm sitting there and out of nowhere,
00:01:16Caroline just walks in with this giant box
00:01:18and you know what Caroline's like,
00:01:19and everybody's looking at me
00:01:20like I'm supposed to do something about it.
00:01:22And it's weird because it's a Tuesday
00:01:24and no one even likes avocado in the building, right?
00:01:28Wait, hang on, who's Caroline
00:01:30and what thing about the printer?
00:01:31And why are you telling me this?
00:01:33I'm just here to deliver your package.
00:01:34Can you just sign for this so I can get out of here?
00:01:37Did you catch what it was?
00:01:39You see, the second symptom of audience blindness
00:01:41is when you leave out essential context and details.
00:01:45So the story stops making any sense to the listener.
00:01:47And the third symptom, if you noticed,
00:01:49was he didn't have a clear point.
00:01:52He didn't know how to land the plane.
00:01:54He just kept on rambling and rambling.
00:01:57And if you go off on tangents like that,
00:01:59if your story doesn't have a clear point,
00:02:01and if you don't give key bits of context
00:02:03to make your story make sense,
00:02:05then they will mentally check out.
00:02:07You have to paint a clear picture for them
00:02:09by giving them the right context, the details,
00:02:12and you have to make it relevant to them
00:02:14by having a clear point.
00:02:16So before you tell a story to anyone,
00:02:18ask yourself these two questions.
00:02:20Number one, what context and details are essential
00:02:23for this story to make sense?
00:02:25Question number two,
00:02:26what's the one thing I want them to walk away with?
00:02:29Then tell your story around that
00:02:31and cut out everything else.
00:02:33Trap number two, achievement dumping.
00:02:37This is when you're sharing your wins, your successes,
00:02:40and your achievement, and your highlights,
00:02:42but you leave out the part
00:02:43that makes people actually relate to you.
00:02:45- Yo, Vin.
00:02:46- Dude, cabbage. - Good to see you.
00:02:48Haven't seen you since Boy Scouts.
00:02:49- What's been happening?
00:02:50- Well, I just closed a small $6 million sponsorship deal.
00:02:54It's no biggie.
00:02:55It's just chump change.
00:02:56- Cool, what is the-
00:02:57- Oh, and I finally turned my one-pack into a six-pack.
00:03:00Check it out.
00:03:02(dramatic music)
00:03:05- Oh man, you must've worked really hard.
00:03:12- And I finally got my dream watch.
00:03:15- Ah, that's really nice, man.
00:03:17- To add to my collection.
00:03:19- Look at them.
00:03:20Look at them, Andy.
00:03:22Look how shiny they are.
00:03:24- Okay, let's be real.
00:03:26I don't have a six-pack.
00:03:27I have all of them combined into one, a one-pack,
00:03:29and I don't have six watches,
00:03:31and I don't have a $6 million sponsorship deal yet.
00:03:35Apple, if you're listening,
00:03:36I'm looking at you for that $6 million sponsorship deal.
00:03:39But notice what's missing from the example I shared before?
00:03:42It was the struggle, the cost, the human part.
00:03:46This doesn't necessarily make you unlikable,
00:03:49but people are gonna roll their eyes at you.
00:03:51People can't connect with your success.
00:03:53They connect with your struggle,
00:03:55and that's a key point that you've got to remember.
00:03:57When you only share the highlights with you
00:03:59without sharing the messy part,
00:04:00the human part that came before the success,
00:04:03you don't come across as inspiring.
00:04:05You come across as unapproachable, unrelatable.
00:04:08Think about the best movies you've ever watched in your life.
00:04:11You don't fall in love with the hero
00:04:13because they win straight away.
00:04:14You fall in love with them
00:04:15because they went through the struggle.
00:04:18You fell in love with them
00:04:20because of what they had to go through
00:04:21in order for them to win.
00:04:23So here's how to avoid falling
00:04:25into the achievement dumping trap.
00:04:27When you share a win, pair it with a cost.
00:04:30Instead of, I closed a $6 million brand deal,
00:04:33try this instead.
00:04:35I closed the $6 million brand deal,
00:04:37but it almost didn't happen.
00:04:39I pitched three times, got rejected twice,
00:04:42and had to completely rework my approach.
00:04:44And then by the third pitch, I was terrified,
00:04:46but I knew that if I didn't try again,
00:04:48I'd regret it.
00:04:49One is an example of me sharing just the outcome,
00:04:52and the other one is me sharing the journey
00:04:55that I had to take to get to the outcome.
00:04:57That's what people connect with.
00:04:59But here's the thing.
00:05:00Trap two is just the surface.
00:05:02Traps three and four and five, they're way more invisible.
00:05:06And they're the ones that are quietly
00:05:08killing your connection, even without you realising it.
00:05:11Trap number three, speaking from a wound instead of a scarf.
00:05:16I know this doesn't make sense right now,
00:05:18so let me explain.
00:05:19This trap is about when you share more vulnerable stories.
00:05:23Most people fall into the trap of speaking from the wound,
00:05:25meaning the pain when it's still raw,
00:05:28things that are still bleeding
00:05:29and then you haven't yet processed them
00:05:31and done the work to heal
00:05:33and understand what that pain even means.
00:05:35And this makes it difficult to share these vulnerable stories
00:05:39because you will become overwhelmed by the emotion.
00:05:42Whereas when you speak from the scar,
00:05:44meaning wounds have already healed,
00:05:46you can share with clarity, with perspective
00:05:49and with emotional control most importantly.
00:05:52You're able to guide the audience through the lesson
00:05:54without reliving the trauma in the moment
00:05:56and then making it a traumatic experience
00:05:57for everybody who was there to experience the story.
00:06:00Let me share with you a story about when I got this wrong.
00:06:04A few years ago,
00:06:05when I was teaching my communication skills workshop,
00:06:07I decided to share a vulnerable story about my grandmother.
00:06:09But here's the problem.
00:06:11I hadn't yet processed the emotions yet.
00:06:13It was still completely raw.
00:06:16And halfway through the story, I completely broke down.
00:06:19I fully, ugly cried.
00:06:21I couldn't breathe properly.
00:06:23I was hyperventilating.
00:06:24I had to leave the class.
00:06:26And while the students were really empathetic, sure.
00:06:30But as a teacher, I'd failed them in that moment
00:06:33because instead of teaching them something
00:06:35and then being able to learn something from that experience,
00:06:37they now felt responsible for comforting me.
00:06:40And the lesson that I was trying to teach
00:06:42was completely lost because I lost control of my emotions.
00:06:46It was supposed to be an inspiring story of love and triumph,
00:06:50but instead I turned the whole classroom
00:06:51into a therapy session.
00:06:53Vulnerability is powerful,
00:06:55but unprocessed vulnerability feels like a burden to others.
00:06:58When you share a story you haven't healed from yet,
00:07:02three things happen.
00:07:03Number one, the audience feels responsible for your healing.
00:07:07If you are still bleeding,
00:07:08people feel the pressure to comfort, fix, and rescue you.
00:07:11And because you haven't processed it,
00:07:13when you share a story without meaning,
00:07:15the only thing people get from that story is the heaviness.
00:07:18I mean, you've experienced this before.
00:07:19Have you ever spoken to a friend who's feeling sad
00:07:21and when you walk away,
00:07:22the only thing you got from that was you now feeling sad?
00:07:26And the third thing, now all of a sudden,
00:07:28the person that's listening to you
00:07:30feels like they have to be your therapist.
00:07:32Whereas the intention of you sharing that story
00:07:34was for connection.
00:07:35And people didn't sign up to be your therapist.
00:07:37Can you see why when you share vulnerable stories,
00:07:40you've got to do it in the right way.
00:07:41You've got to heal from them first
00:07:43and share it from a place of control.
00:07:46So Vin, how do you do that?
00:07:48Well, I use a simple three-step framework I call TSL.
00:07:52Test, stabilize, and then lead.
00:07:55Now test, this part of it,
00:07:57you test in a safe environment first.
00:07:59Share the story with your trusted friends
00:08:01in low-stakes settings to gauge your emotional comfort level.
00:08:05Can you tell it without breaking down?
00:08:07Test, stabilize, stabilize your emotions.
00:08:11Practice telling the story until you can deliver it
00:08:14without being overwhelmed by the emotions.
00:08:16It's okay to feel the emotion,
00:08:18but you should be in control of it
00:08:20and not the other way around.
00:08:22L, lead with the lesson.
00:08:24Make sure when you tell the story,
00:08:26don't put the emotional experience itself on the pedestal,
00:08:29but rather make the lesson you learned from the experience
00:08:32the focus of your story.
00:08:33Put that on the pedestal instead.
00:08:35Think, what do I want them to take away when I tell these stories?
00:08:38So again, with the wounds and scar metaphor,
00:08:41scars tell better stories than wounds.
00:08:44And look, if you want to go deeper
00:08:46into the structure of your stories
00:08:47and communicate under pressure well,
00:08:49I've recorded a free two-hour training
00:08:50where I teach you three powerful communication frameworks
00:08:53to help you speak with more clarity and structure
00:08:56and confidence so you can stop rambling and start connecting.
00:08:59The link's in the description,
00:09:00or you can scan the QR code to access it.
00:09:03Alrighty, trap number four,
00:09:05making it all about you, you, you, you, you, and you.
00:09:09That's right, you.
00:09:10Most people don't realise this.
00:09:12When you tell a story,
00:09:14your audience isn't just listening to see you in the story.
00:09:18They're also trying to see themselves in the story.
00:09:22They're asking themselves, can I relate to this story?
00:09:24What can I learn from this story?
00:09:26How does this story apply to me?
00:09:30If your story only shows your experience
00:09:33without giving them space to connect with it,
00:09:35they won't hate you for it, but they'll mentally check out.
00:09:39Let me show you exactly what I mean.
00:09:41So I went skydiving last month and for me,
00:09:44it was the most insane experience I've ever had in my life.
00:09:49- Wow, I can't imagine what that's like.
00:09:53- Well, of course you can't imagine it, Peter.
00:09:54Were you falling through the sky with me
00:09:56at a terminal velocity of between 55 to 65 metres per second?
00:09:59- This is so nauseating.
00:10:00I have no idea what he's talking about.
00:10:02- I can't even relate to what he's saying.
00:10:04What are those hand gestures that he's doing?
00:10:05This is so confusing.
00:10:06- And then my cheeks were all like.
00:10:08(clapping)
00:10:10Oh man, my life is amazing.
00:10:12That's why I can't connect with any of my team members
00:10:14because their lives are not amazing.
00:10:17But you see in that example, it's not a relatable moment.
00:10:20Nothing is in it for them.
00:10:22And they can't really see themselves in that situation.
00:10:25Now, if you're just sharing that story
00:10:27to make your friends jealous or to relive a fun moment,
00:10:31sure, go for it.
00:10:33Sometimes stories are just for fun.
00:10:35But if you're trying to truly deeply connect and inspire
00:10:38and influence the people around you,
00:10:40you need to include them in the story
00:10:42and help them see themselves in the story.
00:10:45So here's the fix.
00:10:46When you tell a story,
00:10:47make sure you include these three things.
00:10:49You in the story, your experiences, your identity.
00:10:53Them in the story, the universal human moments
00:10:56that they can relate to.
00:10:57What they can take from it,
00:10:59the value and the lessons and the insights from the story.
00:11:02So let's redo that whole skydiving storytelling incident.
00:11:07- Wow, I can't imagine what skydiving's like.
00:11:09- Honestly, man, I almost didn't do it.
00:11:11You know that sinking feeling you get
00:11:13when you're about to do something scary?
00:11:14But then I remembered when you told me
00:11:17how important it is in life to do the things that scare you.
00:11:20So that's what made me have the courage to jump.
00:11:23And brother, you know that feeling of adrenaline?
00:11:25You of all people would love it.
00:11:28- Wow, now I can imagine what skydiving's like
00:11:30because you included me in the story.
00:11:32Thanks, Vin.
00:11:33Don't do it.
00:11:36Don't do it.
00:11:37- Isn't that so much better?
00:11:39Now there's a payoff.
00:11:41Now there's something that they can feel and take with them.
00:11:44Your audience doesn't just wanna see you in the story.
00:11:47They wanna see themselves.
00:11:49And they want to be able to walk away with something
00:11:52that they can then apply to their own lives.
00:11:54Traps one through four, those make people zone out.
00:11:56But this next one makes you unlikable.
00:11:59Preaching instead of sharing.
00:12:02This is when what you share with others
00:12:05feels like a bloody lecture.
00:12:07Trust me, they hate it.
00:12:09Here are three ways it shows up.
00:12:11You lecture instead of relating to others.
00:12:13You tell people what they should do
00:12:15instead of showing them how you struggled
00:12:17and how you figured it out.
00:12:19Next, you literally become a parrot.
00:12:21You repeat the lesson so many times
00:12:22that people just start to roll their eyes
00:12:24and go, oh my God, I've heard this 100 times
00:12:26Just take a look at which version makes me more unlikable.
00:12:30The first version, where I'm just becoming a parrot
00:12:32and trying to shove a lesson down your throat
00:12:34and make you listen to me for the sake of listening to me,
00:12:36or the version of me where I use a story
00:12:40and let the storytelling do the heavy lifting,
00:12:42where I let the storytelling do the influencing.
00:12:45You should exercise more because it's healthy for you.
00:12:47And if you don't, you're gonna be unhealthy
00:12:49and that's not good for your health.
00:12:50Get a gym membership, be healthy, don't be unhealthy.
00:12:53Healthy, healthy, healthy, healthy, healthy, healthy.
00:12:55There was a period of my life
00:12:57where I wasn't exercising for a whole year.
00:13:00And I remember playing with my kids
00:13:01and just running around the garden with them.
00:13:02And then somehow as I lifted my son, I twisted my back.
00:13:05And then my son was saying, "Dad, let's keep playing."
00:13:08And I couldn't because I was in physical pain.
00:13:10And you know what that made me realise?
00:13:11It just made me realise that far out as I get older,
00:13:14if I wanna be there for my kids,
00:13:15if I wanna play with my kids more,
00:13:17I'm gonna have to start looking after my health.
00:13:18I'm gonna have to start going to the gym.
00:13:20I'm gonna have to start doing some weights.
00:13:22And I share this with you specifically
00:13:24because you've got three kids too.
00:13:26And as we both get older,
00:13:28I think it's so important for us
00:13:29to start protecting our health more
00:13:30and taking it more seriously.
00:13:32You see that?
00:13:33In one example, the first one in particular,
00:13:35I became an exotic bird.
00:13:37- While I still looked bloody marvellous,
00:13:39I was just trying to squawk the idea at the person nonstop.
00:13:43- In the other version, the influence there felt natural.
00:13:47It felt organic.
00:13:48And the next one, guru energy.
00:13:50This is where you talk to people
00:13:51as if you're a mere God speaking among mortals.
00:13:55This is when you start to believe
00:13:57that your farts don't even stink.
00:13:58And the worst thing about this
00:13:59is when you start to believe you're the best
00:14:02and this is when you become arrogant, you talk different.
00:14:04Whereas there's a massive difference
00:14:05between someone who's confident who speaks
00:14:07versus someone who's arrogant.
00:14:09An arrogant person thinks they're better than everybody else.
00:14:12Whereas a confident person believes
00:14:14that everybody and me included,
00:14:16we're all in the same playing field.
00:14:18There's something I can learn from you
00:14:19just like there's something you can learn from me.
00:14:21And when you come from a place that's confident
00:14:23instead of arrogant, it has an impact to your delivery.
00:14:27So keep the mindset of,
00:14:28hey, there's always something I can learn from others.
00:14:31And that keeps us in confident delivery mode
00:14:33as opposed to absolute wanker delivery mode.
00:14:36Knowing these storytelling traps
00:14:38is just one part of the equation.
00:14:40The other part of the equation,
00:14:42you actually got to go practise the skill of storytelling.
00:14:44This is the part that requires you to lean in.
00:14:47This is why I recorded an exclusive coaching session
00:14:50where I break down seven powerful storytelling secrets
00:14:53with real students.
00:14:55So click the video here
00:14:56if you wanna level up storytelling now.

Key Takeaway

Mastering storytelling requires moving beyond simple communication by avoiding self-centered traps and focusing on relatability, emotional processing, and audience-centric lessons.

Highlights

Audience blindness occurs when storytellers include too much irrelevant context or fail to establish a clear point

Timeline

Introduction to Storytelling Traps

The speaker introduces the idea that being a great communicator is not the same as being a great storyteller. He explains that 99% of people fall into five specific traps that make them unlikable or forgettable in social and professional settings. These insights are drawn from a decade of coaching thousands of people and speaking to audiences as large as 30,000. The goal of the video is to help viewers identify these invisible mistakes to change how others respond to them. He emphasizes that once these traps are avoided, the speaker's influence and connection will naturally increase.

Trap 1: Audience Blindness

Audience blindness is described as getting so lost in a story that you fail to notice the listener has mentally checked out. It manifest in three ways: drowning the listener in irrelevant context, leaving out essential details that make the story make sense, or failing to have a clear point. The speaker uses a humorous role-play of a delivery driver being cornered by a rambling storyteller to illustrate these failures. To fix this, one must ask what details are essential and what the one specific takeaway should be for the listener. He suggests cutting out everything that does not serve the central point of the narrative.

Trap 2: Achievement Dumping

This section covers achievement dumping, which is the habit of sharing wins and highlights while omitting the messy, human struggle. The speaker explains that people do not connect with success; they connect with the struggle and the cost it took to get there. Using a fake example of a $6 million deal and a six-pack, he shows how bragging without vulnerability makes a person unapproachable. He introduces a fix: always pair a win with a cost or a moment of rejection to make the journey relatable. This transforms a boastful comment into an inspiring story that allows the audience to feel the weight of the achievement.

Trap 3: Speaking from a Wound vs. a Scar

The speaker differentiates between sharing unprocessed pain (the wound) and healed experiences (the scar). Speaking from a wound often results in the speaker breaking down emotionally, which turns the audience into therapists rather than listeners. He shares a personal failure where he "ugly cried" during a workshop, causing his students to feel burdened by the need to comfort him. To avoid this, he proposes the TSL framework: Test the story in safe environments, Stabilize your emotions through practice, and Lead with the lesson. This ensures the story provides value and inspiration rather than just emotional heaviness.

Trap 4: Making It All About You

The fourth trap is neglecting to leave space for the audience to see themselves in the story. When a story is purely about the speaker's unique experience, such as a specific skydiving trip, the audience may find it impressive but ultimately unrelatable. The speaker demonstrates how to bridge this gap by highlighting universal human emotions, like the fear before doing something scary. By framing the experience around shared values or feelings, the storyteller invites the audience to participate in the narrative. This section emphasizes that the audience is always looking for what they can learn or how the story applies to their own lives.

Trap 5: Preaching instead of Sharing

The final trap is preaching, which occurs when a story feels like a lecture or a "guru" monologue. The speaker compares a dry lecture about health to a personal story about not being able to play with his kids due to back pain. The storytelling version performs the heavy lifting of influence naturally, whereas lecturing makes people want to roll their eyes. He also warns against "guru energy" and arrogance, advocating for a confident mindset that views everyone as equals on the same playing field. The video concludes by encouraging viewers to practice these skills and offering a link to a deeper coaching session.

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